![]() Monica Fritz is a fine art photographer and traveler, living away from her native New York City more than half her life, (15 years in Italy, 1 year in Yemen and 20 years in Istanbul), Monica delights in sharing her curiosity and enthusiasm exploring light, a moment, and the subtleties of the city through her Alternative City Tours showcasing Istanbul for photographers.The Eyes of Ara – The puzzle game is always one of the gamers’ lives because it doesn’t have a fixed play. With ten novels published, he has won numerous awards, the most prestigious of which is the Nobel Prize for Literature in 2006, the first Nobel prize awarded to a Turkish citizen. He has been writing for over 40 years and he has never done any other job or career other than writing. Finally, giving up both of those ideas, he majored in journalism at Istanbul Technical University but never pursued writing journalism.Īt age 23, Pamuk decided to become a novelist. He studied architecture for three years in college. As a high school student at Istanbul’s Robert College, he wanted to become a painter. Orhan Pamuk struggled to find the right career for himself when he was a young person. His other photographic books include, ‘Living in Turkey ’ ‘Sinan: Architect of Süleyman the Magnificent ’ ‘Ara Güler’s Creative Americans ’ ‘Ara Güler’s Movie Directors ’ and ‘ Ara Güler: Photographs.’ In 2004, he was give honorary fellowship by Istanbul’s Yıldız Technical University. He has won several awards for his work, including Turkey’s Photographer of the Century, 1999 Master of Leica, 1962 France’s Légion d’honneur Lifetime Achievement Lucie Award, 2009 and Turkey’s Grand Prize of Culture and Arts, 2005. Now more than ever, these photos of Istanbul’s past are ever so precious.īorn in 1928, Ara Güler is a Turkish photojournalist of Armenian heritage, lovingly nicknamed ‘The Eye of Istanbul’ in this documentary. The strength of these images are their unpretentiousness. ![]() In this finely-printed duotone collection of Güler’s photographs, the many layers of Istanbul’s light stuns the eye. The birds-eye view gives it a touch of the surreal. The Ottoman Imperial Mosque is now hidden by highways. The emptiness felt in this photograph gives it an unusual silence, now rare and sometimes only heard in early mornings. The soft light on a mosque in Aksaray was one of my favorite images. Pamuk’s ‘huzun’ is mentioned, as he did in his book ‘Istanbul: Memories and the City.’ It’s the Turkish word for a particular melancholy found in Güler’s ‘black-and-white sorrow.’ Continuing to define the word, Pamuk says it is not the ”feeling evoked by the sight of modernity sitting alongside innocence and spontaneity.” It can still be found in a meyhane’s drinking song or in an Üsküdar cemetery or by one of Eyüp’s ancient plane trees. A glimpse of Güler’s Istanbul can be found in a silversmith’s workshop in a 17th century han (inn) or in a secret garden in a Fatıh neighborhood church. It can be found on a neighborhood back street of Hasköy, or on a hill of fortress Rumeli Hisarı, or in the village of Kuzguncuk. ![]() A glimpse of its magic can still be found though, if you look for it. Istanbul seems to be disappearing before our eyes. Both native to the city, and experts in their own right, through the visual and the written word, a natural union. In this exquisite edition, two significant men collaborate: photographer Ara Güler and writer Orhan Pamuk.
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